HISTORY &

ARCHITECTURE

Explore the story behind this remarkable Grade II* listed Victorian Gothic Church.

St Cyprian’s Clarence Gate is widely regarded as one of London’s finest Victorian churches. Built in the nineteenth century and carefully enriched over time, it is recognised for its architectural and historical importance, as well as for the coherence of its design and decoration.

Located just off Regent’s Park in Marylebone, St Cyprian’s continues to serve as a working parish church while also attracting interest from those concerned with church architecture, history, and liturgy.

Historical overview:

  • Originally a Mission Church consecrated in 1867

  • Dedicated to St Cyprian of Carthage

  • Designed by by Sir Ninian Comper

  • Victorian Gothic Revival style

  • Grade II* listed

Interior of a church with wooden chairs arranged in rows, ornate gold detailing, stained glass windows, and religious symbols including a crucifix.

ST CYPRIAN’S

Early History

Black and white drawing of a historic church with large pointed arched stained glass windows, steep roof, and Gothic architectural details, situated on a city street with buildings and streetlights in the background.

St Cyprian’s was founded by Charles Gutch during a period of rapid growth and change in London, when large parishes were being divided to provide more accessible pastoral care.

The church was established within the parish of St Marylebone to serve an area close to neighbouring parish boundaries. From the outset, it was intended to be a serious liturgical church, shaped by theological conviction as well as practical need.

The Mission Church was opened in March 1866 and consecrated in June 1867.

Religious icon of a saint with a halo, wearing a patterned robe, holding a book and a cross, with Greek inscriptions around.

The St Cyprian Icon

A new icon of the patron saint of the church was commissioned by Parochial Church Council member Eric Emms, a local parishioner, from the Paris-based celebrated iconographer Svetlana Samoylenko. The icon is in the Byzantine style. Svetlana spent many months using traditional natural materials; wood and mineral ground colours to make the image of the saint. It was an emotional time for her as the work developed - progress being made silently and when she felt St Cyprian was close to her as she prayed.

An icon is not a representative picture of a person but a window through which the viewer connects with the saint in a prayerful atmosphere. The icon, blessed by our parish priest Rev. Clare, is on permanent display in our church.

THE Architecture

The present church of St Cyprian’s was designed by Sir Ninian Comper (1864–1960), one of the most influential ecclesiastical architects of the late nineteenth and early twentieth centuries. Commissioned in 1899 and built between 1901 and 1903, it was the first new church completed entirely to Comper’s designs.

Built in red brick with stone dressings, the church is a well-proportioned example of the Perpendicular Gothic style, reflecting Comper’s desire to realise what he described as the ‘last manner of English Architecture’.

The plan includes a wide nave with a clerestory and north and south aisles, a defined chancel, a Lady Chapel, and a prominent west gallery. There is no tower, but a small bellcote sits on Chagford Street. It was designed not just as a parish meeting space, but as an ordered liturgical setting.

Portrait of an older man with white hair, beard, and glasses, wearing a dark jacket and tie, set against a dark background.

SIR NINIAN COMPER

AND HIS LEGACY

The later enrichment of St Cyprian’s owes much to the influence of Sir Ninian Comper, whose work shaped both the visual and theological focus of the church.

Comper was strongly influenced by the Oxford Movement and by historic English parish churches. His architecture sought to express continuity, reverence and theological meaning through form, proportion and decoration.

The Comper Strawberry

The wild strawberry is Ninian Comper’s recognised signature and appears throughout his work, including in the vestments, altar frontals and in his stained glass at St Cyprian’s.

It is often attributed as a personal tribute to his father, who is said to have collapsed while giving strawberries to people in Duthie Park.


LITURGY & DESIGN

The architecture of St Cyprian’s is closely tied to its liturgical life. The arrangement of the chancel, altar, and sanctuary reflects an understanding of worship that values reverence, continuity, and procession.

The building was designed to support the celebration of the Mass, and this relationship between space and worship remains central to the life of the church.


Interior of a historic church with wooden pews, stained glass windows, tall columns, and an ornate pulpit.

VISITING

ST CYPRIAN’S

St Cyprian’s Clarence Gate is located just off Regent’s Park, within easy walking distance of Baker Street and Marylebone.

Those interested in Victorian church architecture, the work of Ninian Comper, or the relationship between liturgy & design are encouraged to visit.

The church is not always open, so please contact the office first. We will be happy to help you arrange your visit in advance.

You are also warmly invited to visit a service.